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Still Recording
March 23, 2019, 4:00 pm - 6:45 pm
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I samarbeid med Arabiske filmdager og Norsk PEN inviterer vi til visning av Still Recording + samtale med regissøren på lørdag den 23 mars kl. 16.00. Filmen følger to kunststudenter i Douma, en forstad som kontrolleres av opprørere mot regimet. I en periode på over fire år følger vi de to vennene og deres omgangskrets og alt de går igjennom: sult, angrep og beleiring, men også latter, fest og en utrettelig tro på det gode i mennesker. Still Recording vant kritikerprisen i Venezia.
بالتعاون مع مهرجان الفيلم العربي ومنظمة قلم النرويجية، ندعوكم لحضور فيلم لسّه عم تسجّل مع نقاش بعد عرض الفيلم بحضور غياث أيوب، مخرج الفيلم يوم السبت 23 آذار الساعة 4 مساءً. يرصد الفيلم حياة صديقين في دوما المحاصرة الخاضعة لسيطرة المعارضة، حيث أنشأا محطّة راديو محليّة واستوديو تسجيل. ظلّت الكاميرا بين أيديهما يصوّران فيها كلّ شيء إلى أن صورتهما ذات يوم. يروي الفيلم من خلال تصوير أربع سنوات، ماهي الحياة تحت الحرب بما يتخللها من حصار، قصف، ضحك، احتفالات، جوع وكل ما يجعلنا نؤمن بإنسانيتنا. ربح الفيلم جائزة النقاد في مهرجان فينيسيا.
We invite you to the screening of the Syrian documentary film Still Recording on Saturday, March 23rd at 16.00 followed by a discussion with Ghiath Ayoub, film director and others. Following two art students in the opposition-held Douma for four years the film captures life under war and all it encompasses from hunger, siege, laughter, bombardment, celebrations, and the tireless belief in what makes us humans. The film won the critics’ award in Venice film festival.
Panelists
– Ghiath Ayoub, director of Still Recording
– Mohammed Alayoubi, journalist og photographer for NRK
– Murhaf Fares, SPACE
– Elisabeth Eide, Norsk PEN
Still Recording
This film is an observation of what happened for us, for all my generation – one that believed in the Revolution. A reflection from a calm perspective, in an attempts to learn lost or forgotten lessons, pay tribute or make some excuses. – Saeed Al Batal
Two hours of raw footage distilled from 450 that Saeed Al Batal, Ghiath Ayoub and six other videographers shot between 2011 and 2015, Still Recording was smuggled out of Syria on hard drives. It is bleak indeed, but required viewing as a savage critique of man’s inhumanity, a testimony of horror but also an homage to the filmmakers who have chosen to witness it on our behalf. – The Hollywood Reporter