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DTSTART;TZID=Europe/Oslo:20230922T170000
DTEND;TZID=Europe/Oslo:20230922T203000
DTSTAMP:20260416T230150
CREATED:20230816T113655Z
LAST-MODIFIED:20230918T110743Z
UID:19323-1695402000-1695414600@masahat.no
SUMMARY:Reclaiming History
DESCRIPTION:انضموا إلينا يوم الجمعة 22 سبتمبر/أيلول في ثاني أيام مهرجان مساحات لأمسية ممتعة في مكتبة دايكمان بيورفيكا نناقش فيها الحق في استعادة التاريخ، وسياسات الأرشيف في مصر والنرويج. \nJoin us on Friday 22 September\, the second day of Masahat festival\, for an insightful & inspiring evening at Deichman Bjørvika to talk about the right to history\, archives\, and heritage politics from Egypt and Norway. \nالبرنامج\n17:00 – 18:45 عرض فيلم سلطة بلدي إخراج ناديا كامل (2008\, 105′) \n19:00 – 19:30 محاضرة: استعادة التاريخ: الشعب، السلطة والأرشيف مع خالد فهمي \n19:30 – 20:30 نقاش: خالد فهمي مع ميشيل تيسدل، تدير الحوار رنا عيسى \nProgram\n17:00 – 18:45 Film screening: “Salata baladi” (Egyptian salad) dir. Nadia Kamel (2008\, 105′) \n19:00 – 19:30 Lecture: “Reclaiming History: People\, Power\, and Archives” with Khaled Fahmy \n19:30 – 20:30 Discussion: Khaled Fahmy and Michelle A. Tisdel led by Rana Issa \nاللغة: انكليزية \nالدخول مجاني، ولكن يتطلب التسجيل مسبقاً للحصول على بطاقة \nهذه الأمسية بالتعاون مع مكتبة دايكمان بيورفيكا ومركز الدراسات الإسلامية والشرق أوسطية في جامعة أوسلو.  \nLanguage: English \nFree entry\, but registration required. \nThis event is in collaboration with Deichman Bjørvika and the Centre for Islamic and Middle East Studies\, UiO  \n			Reserve your free ticket |  لحجز البطاقات المجانية		 \nWhen people move to a new country\, they bring their home country’s history with them. But what history is that\, and how well do you really know those who came before you? Masahat invites you to take a deep dive into history writing and the struggle to own your own\, everyday history. Are you sure you actually know the whole story? \nLECTURE: “RECLAIMING HISTORY: PEOPLE\, POWER\, AND ARCHIVES” WITH KHALED FAHMY \nHow do you take ownership of your own history after being written out of it for generations? In Norway\, we have tried to find out how we can democratize history writing and cultural heritage policy to include diverse stories where the majority and minority populations are represented. Whether we have succeeded in this process is up for debate. \nIn the Arab world\, schools\, museums\, and national archives celebrate the state’s history and “great men”\, while the people’s history is erased and forgotten. Based on his research in the Egyptian National Archives\, the Egyptian historian and academic Khaled Fahmy will reflect in his lecture on his own attempt to break this silence by telling the story of the average Egyptian. \nDISCUSSION: KHALED FAHMY AND MICHELLE TISDEL \nAfter the lecture\, Khaled Fahmy will meet Michelle A. Tisdel for a conversation on identity\, history writing\, and the meeting point the archives\, cultural heritage and definitional power in narrating history in Norway and the west. The conversation will be moderated by Rana Issa.  \nFILM SCREENING: “SALATA BALADI” (EGYPTIAN SALAD)\, (2008\, 105 minutes) \nThis documentary explores the complex cultural and religious heritage of the Egyptian filmmaker Nadia Kamel’s own family. Her mother has Jewish and Christian Italian origins\, and converted to Islam when she married Kamel’s Turkish-Ukrainian father. Accompanied by her 80-year-old mother and her 10-year-old Palestinian nephew\, Kamel embarks on a journey to Italy and Israel in an attempt to tell the story of an Egypt that no longer exists.
URL:https://masahat.no/event/reclaiming-history/
LOCATION:Deichman Bjørvika\, Oslo\, 0150
CATEGORIES:Film,Samtale
ATTACH;FMTTYPE=image/jpeg:https://masahat.no/wp-content/uploads/2023/08/Reclaiming-History-Website-banner.jpg
ORGANIZER;CN="masahat":MAILTO:info@masahat.no
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Oslo:20230924T143000
DTEND;TZID=Europe/Oslo:20230924T190000
DTSTAMP:20260416T230150
CREATED:20230906T090607Z
LAST-MODIFIED:20250726T053842Z
UID:19690-1695565800-1695582000@masahat.no
SUMMARY:Masahat Screens
DESCRIPTION:Masahat Screens\nJoin us on the last day of Masahat festival for a thought-provoking and inspiring Sunday at VEGA Scene with film screenings\, conversations\, mingling and more. \nThe day starts with the screening of Bloody Beans (2013\, 80 mins) directed by Narimane Mari\, which won the top prize at the prestigious documentary festival CPH:DOX. In her hybrid documentary\, Mari experiments with how children can appropriate a complex history while they try to reenact the colonization and the Algerian War of Independence. \nLater in the day\, we will have Orwa Nyrabia\, Artistic Director of IDFA\, as our main guest at Masahat Screens. Under the title “Decolonize the Gaze”\, Nyrabia will talk about his vision and work at IDFA since he became the Artistic Director in 2018\, then he will be joined by Anne Szefer Karlse to continue the conversation and discuss how major festivals and cultural institutions can address the questions of representation\, equity and inclusion. \nWe then end the day with a short films program curated and introduced by Maha Maamoun. \nProgram\n\nPART I: Bloody Beans. Buy tickets HERE.\n\n\n14:30-16:00: Bloody Beans (2013\, 80 mins) dir. Narimane Mari\n\n\nPART II: Conversation + short films. Buy tickets HERE.\n\n16:00-17:15: Decolonize the Gaze with Orwa Nyrabia in conversation with Anne Szefer Karlsen\n17:15-18:00: Mingling + finger food with Orwa Nyrabia and Masahat Screens guests\n18:00-19:00: Litanies against fear (55 mins)\, a short films program curated and introduced by Maha Maamoun\n\n\n\n  \nBloody Beans\n(Loubia Hamra) Narimane Mari I France\, Algeria | 2013 | 77 min\nLanguage: Arabic\nSubtitles: English \nAlready an established producer before she turned to directing\, Narimane Mari is part of an exciting wave of experimental cinema coming from Algeria. Her debut feature\, Bloody Beans\, won the top prize at the prestigious documentary festival CPH:DOX\, though to call it merely a “documentary” is reductive: described in Film Comment as an “expressionistic hybrid\,” Mari’s film is a comedy\, a tragedy about the past\, and a portrait of colonialism in the present. Shot over nine days\, with limited rehearsals and almost no reshoots\, Mari’s film is set at some unspecified point during Algeria’s War of Independence\, and explores the legacy of France’s brutal 132-year occupation of the country through the eyes and energies of children from the Bab El Oued and Bologhine neighborhoods of Algiers. The results are less “kids say the darndest things” than something akin to an hallucinatory experience\, the surreal atmosphere aided by a score from Zombie Zombie. \n\nLitanies against fear\nA short films program curated by Maha Maamoun.\nAn anxiety runs deep in these films. It animates the bodies of the protagonists circumambulating their phantom homes and this film program. Contemporary experiences of separation from home-be they physical or psychological experiences\, find their roots and resonances in narratives of forced displacement\, colonialism and rising fascisms old and new. \n\nOnly When All the Poison Has Gone (The Healing of Emily Ruete) (2023\, 18 min) dir. Doa Aly\n\nOnly when all the poison has gone (The healing of Emily Ruete) is an audio-video installation based on the memoirs and letters of Emily Ruete\, born Salamah bint Said bin Sultan\, Princess of Oman and Zanzibar (1844-1924)\, as introduced by E. Van Donzel in An Arabian Princess Between Two Worlds: Memoirs\, Letters Home\, Sequels to the Memoirs\, Syrian Customs and Usages. Emily/Salamah was prevented from returning to her homeland after eloping with a German merchant. This film seeks to turn the unconscious processes in Emily’s writing into a conscious awareness of movement\, through choreography\, to create an immersive field of healing feminine energy\, a meditation\, using her character as an effigy in a cathartic experience\, for and by her. \n\n30KG Shine (2017\, 20 mins) dir. Shadi Habib Allah\n\n30KG Shine (2017) is a video installation that examines various states of existence-object\, body and spirit – and how they exchange roles and share enmeshed forms of agency. Paying homage to a 1930s urban myth about a ghost that haunted the Old City of Jerusalem\, the film records how an elderly woman\, currently living where the fable is set\, secures her home and family heritage by leading life in confined quarters\, often at the expense of her own livelihood and health. The work also features footage of a ‘tunnel cemetery’ being constructed to house 22\,000 displaced corpses; these bodies claim presence and ownership of the place where they will lie. \n\nCapital (2023\, 17 mins) dir. Basma al-Sherif\n\nReferencing the Italian “white telephone” films of the late 1930s and 40s\, that were considered as precursors to fascist propaganda films\, al-Sherif’s latest film reflects on the grotesque via a purview of contemporary urban planning projects and their promise of comfort and docility.
URL:https://masahat.no/event/masahat-screens/
LOCATION:Vega Scene\, Hausmanns gate 30\, Oslo\, 0182\, Norway
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://masahat.no/wp-content/uploads/2023/09/Masahat-Screens.jpg
ORGANIZER;CN="masahat":MAILTO:info@masahat.no
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Oslo:20230924T160000
DTEND;TZID=Europe/Oslo:20230924T180000
DTSTAMP:20260416T230150
CREATED:20230906T094029Z
LAST-MODIFIED:20250706T195058Z
UID:19714-1695571200-1695578400@masahat.no
SUMMARY:Decolonize the Gaze with Orwa Nyrabia
DESCRIPTION:Decolonizing the documentary has been a recurring theme at IDFA\, the world’s largest documentary film festival\, since Orwa Nyrabia became the Artistic Director in 2018. Under his leadership\, the festival has been tackling the difficult questions of representation\, equity and inclusion. \nWho has the power to represent and narrate? How can arts and cultural institutions challenge hegemonic powers\, amplify marginalized voices and foster a more equitable and representative cultural landscape? \nIn this conversation\, we ask Orwa Nyrabia to talk about his experience and vision leading IDFA. Afterwards\, he will be joined by Anne Szefer Karlsen to continue the discussion on the critical role major festivals and established cultural institutions can play in reshaping the cultural narrative\, acknowledging historical injustices\, and embracing diversity and inclusion. \n  \nThis event is in collaboration with Mirage\, Human IDFF\, Oslo Dokumentarkino and Fritt Ord foundation. \nThis conversation is part of Masahat Screens where we spend the last day of Masahat festival at VEGA Scene. \n  \nMasahat Screens Program:  \nPART I: Bloody Beans. Buy tickets HERE. \n\n14:30-16:00: Bloody Beans (2013\, 80 mins) dir. Narimane Mari\n\n  \nPART II: Conversation + short films. Buy tickets HERE. \n\n16:00-17:15: Decolonize the Gaze with Orwa Nyrabia in conversation with Anne Szefer Karlsen\n17:15-18:00: Mingling + finger food with Orwa Nyrabia and Masahat Screens guests\n18:00-19:00: Litanies against fear (55 mins)\, a short films program curated and introduced by Maha Maamoun.
URL:https://masahat.no/event/masahat-decolonize-the-gaze-with-orwa-nyrabia/
LOCATION:Vega Scene\, Hausmanns gate 30\, Oslo\, 0182\, Norway
CATEGORIES:Film,Samtale
ATTACH;FMTTYPE=image/png:https://masahat.no/wp-content/uploads/2023/09/Decolonize-the-Gaze.png
ORGANIZER;CN="masahat":MAILTO:info@masahat.no
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